Nikon D3200 For Dummies
Ted Padova, Julie Adair King, Barbara Obermeier
Language: English
Pages: 606
ISBN: 2:00219487
Format: PDF / Kindle (mobi) / ePub
A full–color guide to Nikon′s exciting new entry–level dSLR With its large 24.2 megapixel sensor, full HD video recording capability, and wireless options, the Nikon D3200 is very appealing! This full–color guide assumes no prior digital photography or dSLR knowledge and helps you start taking great pictures with your new Nikon right from the beginning. Popular author and photography instructor Julie Adair King shows you how to use all the settings, manage playback options, take control with manual modes, work with video, and edit and share your images. It′s like a personal course in beginning dSLR photography. New dSLR users will quickly gain skills and confidence with the step–by–step, colorfully illustrated instructions in this beginner′s guide to the Nikon D3200 camera Explains how to use all the new features of the Nikon D3200, including a 24–megapixel sensor, 11 autofocus points, 4 frame–per–second shooting, full HD video capabilities, and a WiFi feature that lets you control the camera remotely or preview images on your smartphone Covers auto and manual modes, playback options, working with exposure and focus, shooting video, editing and sharing photos, troubleshooting, and photography tips Popular author has written more than 15 For Dummies books on Nikon and Canon cameras Nikon D3200 For Dummies is the easy, full–color, and fun way to start making the most of your new camera right away.
included with standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to media such as a CD or DVD that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com. For more information about Wiley products, visit www.wiley.com. Library of Congress Control Number is available from the publisher. ISBN 978-1-118-40821-6 (pbk); ISBN 978-1-118-46201-0 (ebk); ISBN 978-1-118-49131-7 (ebk);
reach image 9999 in folder 999, the camera will refuse to take another photo until you choose that Reset option and either format the memory card or insert a brand new one. Buttons: Through this Setup menu item, you can change the function of the Function (Fn) button and the AE-L/AF-L button. You can also specify whether you want a half-press of the shutter button to lock focus only, as it does by default, or lock focus and exposure together. For now, leave all three options alone so that
the Exposure Compensation button while rotating the Command dial unless you’re using Manual (M) exposure mode. In that mode, you must use the Info Edit screen to apply Exposure Compensation; pressing the button while rotating the Command dial changes the f-stop in M exposure mode. Just to head off any possible confusion: For viewfinder photography, Exposure Compensation isn’t needed in M exposure mode; if you want a brighter or darker exposure, you just change your aperture, shutter speed,
autofocus lock When you set your camera’s Focus mode to AF-C (continuous-servo autofocus), pressing and holding the shutter button halfway initiates autofocus. But focusing is continually adjusted while you hold the shutter button halfway, so the focusing distance may change if the subject moves out of the active autofocus point or you reframe the shot before you take the picture. The same is true if you use AF-A mode (auto-servo autofocus) and the camera senses movement in front of the
the color is represented as different levels of gray in each channel. This may sound confusing at first, but stay with us for just a minute. When you have a color channel, such as the red channel, and you let all light pass through the channel, you end up with a bright red. If you screen that light a little with a gray filter, you let less light pass through, thereby diluting the red color. This is how channels work. Individually, they all use different levels of gray that permit up to 256 levels