Gender Trouble: Feminism and the Subversion of Identity (Routledge Classics)

Gender Trouble: Feminism and the Subversion of Identity (Routledge Classics)

Language: English

Pages: 272

ISBN: 0415389550

Format: PDF / Kindle (mobi) / ePub


One of the most talked-about scholarly works of the past fifty years, Judith Butler’s Gender Trouble is as celebrated as it is controversial.

Arguing that traditional feminism is wrong to look to a natural, 'essential' notion of the female, or indeed of sex or gender, Butler starts by questioning the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'. Best known however, but also most often misinterpreted, is Butler's concept of gender as a reiterated social performance rather than the expression of a prior reality.

Thrilling and provocative, few other academic works have roused passions to the same extent.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

melancholia are modes of preserving unresolved object relations, and in the case of same-sexed gender identification, the unresolved object relations are invariably homosexual. Indeed, the stricter and more stable the gender affinity, the less resolved the original loss, so that rigid gender boundaries inevitably work to conceal the loss of an original love that, unacknowledged, fails to be resolved. But clearly not all gender identification is based on the successful implementation of the taboo

identifications into question? In the first instance, multiple identifications can constitute a nonhierarchical configuration of shifting and overlapping identifications that call into question the primacy of any univocal gender attribution. In the Lacanian framework, identification is understood to be fixed within the binary disjunction of “having” or “being” the Phallus, with the consequence that the excluded term of the binary continually haunts and disrupts the coherent posturing of any one.

that “I never lost that person and I never loved that person, indeed never felt that kind of love at all.” The melancholic preservation of that love is all the more securely safeguarded through the totalizing trajectory of the denial. Irigaray’s argument that in Freud’s work the structures of melancholy and of developed femininity are very similar refers to the denial of both object and aim that constitutes the “double wave” of repression characteristic of a fully developed femininity. For

According to Gayle Rubin’s reading of Lévi-Strauss, kinship effects a “sculpting of . . . sexuality” such that the desire to give birth is the result of social practices which require and produce such desires in order to effect their reproductive ends.14 What grounds, then, does Kristeva have for imputing a maternal teleology to the female body prior to its emergence into culture? To pose the question in this way is already to question the distinction between the Symbolic and the semiotic on

h/er anger is most fully directed against men, whose “title” s/he sought to usurp in h/er intimacy with Sara and whom s/he now indicts without restraint as those who somehow forbid h/er the possibility of love. At the beginning of the narrative, s/he offers two one-sentence 132 Subversive Bodily Acts paragraphs “parallel” to one another which suggest a melancholic incorporation of the lost father, a postponement of the anger of abandonment through the structural instatement of that negativity

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