Billy Budd and The Piazza Tales

Billy Budd and The Piazza Tales

Herman Melville

Language: English

Pages: 376

ISBN: B01GT6H61E

Format: PDF / Kindle (mobi) / ePub


Billy Budd and the Piazza Tales, by Herman Melville, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

• New introductions commissioned from today's top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader's viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

Largely neglected in his own lifetime, Herman Melville mastered not only the great American novel but also the short story and novella forms. In Billy Budd and The Piazza Tales, Melville reveals an uncanny awareness of the inscrutable nature of reality.

Published posthumously in 1924, Billy Budd is a masterpiece second only to Melville's Moby-Dick. This complex short novel tells the story of “the handsome sailor" Billy who, provoked by a false charge, accidentally kills the satanic master-at-arms. Unable to defend himself due to a stammer, he is hanged, going willingly to his fate. Although typically ambiguous, Billy Budd is seen by many as a testament to Melville's ultimate reconciliation with the incongruities and injustices of life.

The Piazza Tales (1856) comprises six short stories, including the perpetually popular "Benito Cereno" and "Bartleby," a tale of a scrivener who repeatedly distills his mordant criticism of the workplace into the deceptively simple phrase "I would prefer not to."

Robert G. O'Meally is Zora Neale Hurston Professor of Literature at Columbia University, where he has served on the faculty for seventeen years; since 1999 he has been the director of Columbia's Center for Jazz Studies. He is the author of The Craft of Ralph Ellison and Lady Day: The Many Faces of Billie Holiday, and the principal writer of Seeing Jazz, the catalog for the Smithsonian Institution's exhibit on jazz painting and literature.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Spanish seaman, whose countenance evinced his due share in the general hopefulness and confidence at the coming of the breeze. He proved the same man who had behaved with so shamefaced an air on the windlass.li “Ah—it is you, my man,” exclaimed Captain Delano—”well, no more sheep’s-eyes now; look straight forward and keep the ship so. Good hand, I trust? And want to get into the harbor, don’t you?” The man assented with an inward chuckle, grasping the tillerhead firmly. Upon this, unperceived

guns were in readiness, though, owing to the San Dominick having glided somewhat astern of the sealer, only the aftermost one could be brought to bear. With this, they fired six times, thinking to cripple the fugitive ship by bringing down her spars, but only a few inconsiderable ropes were shot away. Soon the ship was beyond the gun’s range, steering broad out of the bay, the blacks thickly clustering round the bowsprit,lp one moment with taunting cries towards the whites, the next with upthrown

recent events, raved of some things which could never have happened. But subsequent depositions of the surviving sailors, bearing out the revelations of their captain in several of the strangest particulars, gave credence to the rest. So that the tribunal, in its final decision, rested its capital sentences upon statements which, had they lacked confirmation, it would have deemed it but duty to reject. I, DON ]OSÉ DE ABOS AND PADILLA, His Majesty’s Notary for the Royal Revenue, and Register of

lying down before it, beneath a rude shed lately added, slept out the night, blunderbuss in hand. It is supposed that not content with daily parading over a cindery solitude at the head of his fine army, Oberlus now meditated the most active mischief, his probable object being to surprise some passing ship touching at his dominions, massacre the crew, and run away with her to parts unknown. While these plans were simmering in his head, two ships touch in company at the isle, on the opposite side

Chancery, by the new Constitution,hu as a———premature act, inasmuch as I had counted upon a life lease of the profits, whereas I only received those of a few short years. But this is by the way. My chambers were upstairs at No.—Wall Street. At one end they looked upon the white wall of the interior of a spacious skylight shaft, penetrating the building from top to bottom. This view might have been considered rather tame than otherwise, deficient in what landscape painters call “life.” But, if

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